An elderly and bearded Rembrandt, pavement artist, practices his trade beneath the classical colonnades of Gandon’s ancient Irish House of Parliament, now the bank of Ireland in Dublin. Incessant soft Irish showers discourage painting outdoors . However, Rembrandt has chosen his work-site astutely; it is protected and, being in the centre of the city, much trafficked by pedestrians. This genial location guarantees him a steady income, if an exiguous existence. In in mid-20th century Dublin children, suspected of displaying undesirable artistic tendencies were shown example of pavement artists working in this spot as the unpleasant future likely to await them should they choose to become artists.
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